Bloody Nose, Empty Pockets (Ross Brothers, 2020)

I had a great time reviewing the new quasi-documentary, Bloody Nose, Empty Pockets, directed by Bill and Turner Ross, set in an staged recreation of a dive bar, but exploring some very real interactions. It’s a super film that really stretches the limits of the medium.

Here’s a teaser from my write-up:

The tone is what critics love to call “elegiac,” but one senses that using such language in “The ’20s” (as the bar is known to locals) might earn you the titular bloody nose, so we’ll just say it feels like the bar is hosting an Irish wake for itself. “Eat, drink, and be merry, for tonight we die” could well be the subtitle for the film – or perhaps an updated and more accurate NSFW version, given the multiple paths to “merry” taken over the course of the night: “Eat, drink, smoke some weed, drink some more, fool around a lot and fondle a little, fall down a few times, pick a fight, drink some more and make up and hug it out, for tomorrow we finally accept the fact that we’ve all died a long time ago….”

To read the full review, head on over to The Arts Fuse.

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Some Kind of Heaven (Lance Oppenheim, 2020)

Lance Oppenheim’s debut docoumentary, Some Kind of Heaven, is a deep, thoughtful, complex portrait of life in The Villages, Florida’s planned New Urbanist retirement community.

Like a day in a Disney dream-land, the “heaven-on-earth” glow of life in The Villages ultimately fades — quicker for some than others — and rather than rich fulfilling nourishment we are left with nothing but the sickly false-taste of artificial sweeteners. Alas, it would seem, humans are not so easily fooled by murals and mirages, by facades and fabrications, try as we might to self-deceive. Somewhere deep down, our inner souls crave the sustenance of real community and honest spiritual meaning; we are not easily satisfied with a fiction or a lie.

Read my full review of the film on Arts Fuse.

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“Dream Boston” audio-plays reviewed on ArtsFuse

My recent review of episodes 1–5 of “Dream Boston,” produced by the Huntington Theatre, is now live on ArtsFuse.

Beyond charting these interconnected landscapes of time, history, memory, and the future, the plays all embrace very real landscapes: freed from the confines of the physical theater and the need for expensive sets (and perhaps eager to remember the joy of visiting so many parts of our city, while we shelter in place), each piece is explicitly located in a unique part of Boston, somewhere special to the playwright and the characters. And thus, in each drama, there is a hidden character: our city….

Read the full review at ArtsFuse, and listen to the series free online at The Huntington Theatre.

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